Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. The Legend Of Pope Joan is a three-part, gender-bending, pansexual, theological extravaganza. Part 1. When thirteen-year-old Joan, having past the age of schooling for girls, is banned from studying theology, she is devastated. Determined to be a scholar and unable to submit to the expectations of her sex, Joan transforms into a boy, aided by her best friend Michae The Legend Of Pope Joan is a three-part, gender-bending, pansexual, theological extravaganza.
Determined to be a scholar and unable to submit to the expectations of her sex, Joan transforms into a boy, aided by her best friend Michael and a flamboyant entertainer, Amadeus Reichenbach. Together the trio embarks on a journey from Eastern Frankia to Athens where Joan and Michael intend to train as priests.
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May 28, BeniGee rated it it was amazing Shelves: lesfic. Must admit I was a bit reluctant to read this book at first, as I suffer from short attention span and thought it might be a bit heavy being a history novel, but having first read After the Night I thought I would give it a go. I was pleasantly surprised how easily I got into the story and how much it hooked me into the travels and tribulations of the feisty Joan and her best friend Michael as they travel with their protector Amadeus to Athens, where Joan and Michael intend to train to become pr Must admit I was a bit reluctant to read this book at first, as I suffer from short attention span and thought it might be a bit heavy being a history novel, but having first read After the Night I thought I would give it a go.
I was pleasantly surprised how easily I got into the story and how much it hooked me into the travels and tribulations of the feisty Joan and her best friend Michael as they travel with their protector Amadeus to Athens, where Joan and Michael intend to train to become priests. It was a real page turner as the three travelled through the the lands and came across all sorts of problems, both of man and nature.
- The Legend of Pope Joan, Part.1 Frankia!
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The novel has been well researched, which can be shown by the good historical detail and the story flows extremely well, carrying the reader on from chapter to chapter. Can't wait to read Parts 2 and 3. Good :-D ;- :-D. Jan 19, Suzanne Egerton rated it really liked it. Frankia Kindle Edition Years ago, I read one of the books to which Rachel refers in her "How I wrote the book" account which deals with the teasing possibility of there having been a female pope who has since been erased from history.
So I was already interested in the subject, and delighted to discover how cleverly and plausibly Dax has forged the legend into a compelling novel. Set in mediaeval times, the story benefits from a simple, direct style, which suits the voice of the young protagonist as well as the period; plainsong being more appropriate than baroque for the job. Joan is a character who engages from the off; she is earnest, serious, a little priggish even; and she knows her own worth.
We root for her as she sucks up the knowledge that she craves, and longs to follow her father into scholarly pursuits. But we know that very soon she will hit that inevitable stained glass ceiling, and that as a girl her abilities will be shamefully wasted. Plus ca change! Once Joan takes the decision to flee her fate and travel to Athens with her friend Michael her transformation begins, both from a child to an adult her naivety threatens the pair and their travelling companion more than once and also from a girl to a girl living as a youth.
She grows, and her character develops as a result of her experiences, showing a capacity for humour and empathy which endear her to us all the more. In childhood I was a devotee of the books of Rosemary Sutcliff. She wrote adventure stories set in ancient times which educated almost subliminally - she transported her eager readers into the thick of the action and steeped them in the essence of an era. So it is with this book, and the comparison with Sutcliffe's novels is meant as a great compliment.
Not that The Legend of Pope Joan 1 is in any sense a children's book. It is however a stirring, effortless read, with excitement, tension, and a fascinating sexual perspective. I shall certainly read the other two volumes of the trilogy, and I suggest you do too! Help other customers Sep 29, Aspen rated it really liked it Shelves: lgbt , historical-fiction. An Interesting take on a fascinating legend.
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Not quite sure why the book was split into three parts or why the author felt the need for her characters to spend so much time masturbating. Sarah rated it really liked it Apr 23, Jeh rated it it was amazing May 31, Rosemary Blake rated it really liked it Jul 26, Kim rated it liked it Jul 07, Joey rated it it was ok Mar 17, Each film I have written and each novel I have penned has come about because a random idea or picture has appeared in my head and then a story has formed really quickly around it.
Sometimes this formation has been coherent, sometimes it has just been a key idea and it has only been when I have started writing that the rest of it has come. It was originally written as an animated script. I had never thought about this story until that moment but within a few minutes it was so vivid that it had to be true — it was absolutely present — as if it had always been.
The Legend Of Pope Joan — the big project I have been writing this last year — also had an unusual genesis. It was actually eight years after, when I had to write a play for part of a Drama course that she resurrected. Five years later, as I complete the three part novel version of this tale, all those original characters, plot points and twists are still there and in pretty much the same order, just many, many more have been layered in.
I literally just started writing After The Night having watched Yield To The Night , the film that inspired it, for the first time since being a teenager and becoming a bit obsessed with it — rewatching it several times. I wrote almost half of After The Night before I had no choice but to do research. When it came to it, I was extremely lucky as I soon found that the research was almost all done for me. Because of having watched Yield To The Night so many times I already knew how the prison looked and what the guards would have been wearing etc..
But what came as a gift, was discovering that Joan Henry, the author of the novel and scriptwriter of the film Yield To The Night had actually been to prison herself and had also written a book called Who Lie In Gaol describing her experiences in graphic detail. I had to alter a few things I had previously guessed at but most of these changes were easily integrated and all the new detail really helped flesh out places where I had previously struggled to create a feeling of authenticity.
When I wrote After The Night in trying to research anything on the internet was a bit of a nightmare and I found very little. Now, I am sure there is a whole wealth of salient information I would find. Researching Pope Joan has been really interesting. This was hugely helpful for the play, but when it came to writing the novel, was nowhere near enough.
First Edition Pope Joan
In academic circles, Wikipedia is very much maligned, but actually when it comes to researching the 9 th Century it is a great resource — very few pranksters, I think, would get a kick out of bastardising information about Pope Leo IV or details about how seminaries worked in the middle ages — there would be nothing in it for them — so much of the information is reliable. At least reliable enough for writing a novel, rather than a PhD…. This is my own personal alchemy. It comes from loving really well-told, complex stories but absolutely hating wading through paragraphs of description.
But I am essentially a lazy reader. I want character and plot and I want to be kept constantly engaged. So description, however beautiful and literary it may be, does absolutely nothing for me unless I am in a very peculiar mood. Being a film writer helps enormously with this process. When writing a filmscript if the scene demands a mountainscape and a key dwelling you must categorically not describe any detail that is not essential to the plot — so a scene might have at the top.
So when I write novels, I pretty much do the same thing. I slip in the relevant bits of scenery but I let the reader create the image for themselves in their own mental cinema.